Kelly and Tyler’s East Room wedding in downtown Toronto was the perfect mix of old and new, it’s only fitting that two extreme horror movie buffs would pull off such a modern industrial wedding with cinematic flair.
There were a few amazing coincidences that really brought out a natural and heightened creative perception in me when I was documenting Kelly and Tyler’s wedding at the East Room. First, I’m a huge cinema fan, horror especially. I think the week leading up to the wedding I watched the following movies - “Mandy”, “Beyond the Black Rainbow”, “Drive” and “Only God Forgives”. For those unfamiliar with those films, let’s just say they are highly visual films with unusually beautiful visual aesthetic.
Second, a lot of my personal photography projects revolve around photographing and documenting anachronistic scenes reminiscing of my childhood and many other nostalgic factors, the majority being old vintage cars.
As you’ll see further throughout the blog post, Kelly and Tyler unknowingly set up the ultimate locations and scenarios for me to create some of my all-time favourite portraits of a bride and groom on their wedding day.
To honour both the bride and groom’s appreciation for the cinematic, along with my creative subconscious pulling me into a specific direction, I photographed several frames throughout the day in 16:9 format to truly encompass that cinematic an documentary feeling of the wedding day. It only makes sense to pay homage to that by showcasing those images exclusively in this blog post.
Grab the popcorn.
The day kicked-off with the bride and groom having an intimate and candid moment together with a first look in front of a genuine vintage poster, followed by some bridal party photos outside of the East Room. On any normal day, the vintage and rustic vibe of the East Room’s red brick and industrial setting would be more than enough to capture some great images. The bride and groom really kicked things up a notch when they got (tricked?) one of their wedding guests to let us use his vintage Chrysler. I couldn’t pass up the opportunity to make Tyler and his brothers look like the new leads in a remake of Reservoir Dogs.
To continue with the trend of cinematic mood, the bride and groom made the most of the East Room’s interior vintage industrial space to capture some candid moments together and ultimately enjoy some time alone before the whirlwind ahead.
Aesthetically, I think the whole neon vibe was subconsciously present, something which the East Room delivers with their beautiful neon artwork staggered around the building, providing Kelly and Tyler some incredibly dark and moody locations to have a little bit of their appreciation for the dark and gloomy come through in their portraits.
Although the first part of the day seemed like being on a movie set, or like an editorial photoshoot, it didn’t feel that way at all. Kelly and Tyler naturally gravitate to these elements and I’m glad their authentic selves and their genuine personalities came through in those moments.
The ceremony and reception were held inside the East Room’s main area, providing an incredible environment that showcased old Toronto aesthetic with their brick walls and industrial elements, the vintage leather couches and chairs popped in contrast to the beautiful reclaimed wood furniture. That modern-cool 70’s aesthetic was alive and well, and it couldn’t of been more exact to the entire vibe and mood of Kelly and Tyler’s wedding day.
Just because the day naturally played out in cinematic fashion doesn’t mean there wasn’t plenty of genuine and emotional moments, quite the opposite in fact. The bride’s sister / maid of honour, with the help of the live band, kicked off the reception with a professionally executed parody of The Dixie Chicks “Goodbye Earl” in which the lyrics tell a story of Tyler and his creepy horror movie memorabilia collection that foreshadowed Kelly’s impending doom. Roasting Tyler about this aspect of his life was an ongoing theme throughout the evening’s speeches. I will admit however, that for a guy who’s so into blood and guts, he did manage to provide me with one of the cutest moments (sorry Tyler) I’ve ever captured at a wedding when I caught him wiping away his bride’s tears with his tie.
With good drinks and amazing food by Grand Electric, a homestyle BBQ serving of fried chicken and ribs, the stage was set for an evening of letting loose and creating memories with their loved ones.
For the first time as a documentary wedding photographer in Toronto, I was spoiled with literally having every single element of my creative influences come together in one moment in time. The East Room’s industrial vintage modern 70’s aesthetic, the vintage car, neons signs and vintage movie posters / records, it all had the essence of Kelly and Tyler, and that’s what really came through in the images and I’m grateful to have been included in such a naturally cinematic moment in their lives.
Song of the day
Night Drive - Part Time
Food is love. This simple thought completely encompasses my experience photographing Gary and Cheryl’s beautiful vintage wedding on Niagara on the Lake.
I’ll start by saying this - the food at this wedding was out of control, legitimately some of the best I’ve ever had, not just at a wedding, but ever. Leading up to the wedding both the bride and groom emphasized how the wedding was meant to be a beautiful celebration of their long-lasting love for one another, with the key ingredient being food, something both Gary and Cheryl value highly, and I’ll be the first to say, that the food did not disappoint. Outside of the wedding I’ve photographed at the Chase in downtown Toronto, I’ve never had a meal at a wedding stick with me in this way before.
Gary and Cheryl have been together for a long time, and the wedding was filled with highly personal touches and many avenues of nostalgia. To start, the entire wedding was held in Port Dalhousie, Cheryl’s hometown that has as much character and Canadiana as any place I’ve ever been to in Ontario. The groom got ready in a beautiful country home along with his two sons, providing beautiful candid moments between the three of them, offering a unique family experience and bonding moments as they anxiously prepared for the day ahead. The bride opted to get ready in her childhood home. A place filled with fragments of Cheryl’s youth, her family’s history, vintage old photographs, and of course, one of the coolest, most authentically retro basements I’ve ever had the privilege of stepping foot in. When I say this basement was retro and vintage, I genuinely mean that it was an actual time capsule back into the 1960’s. The furniture in perfect condition, seemingly modern at this point, red and orange lights create the ultimate mood for anyone hoping to relax and take a moment. The walls were covered with images of Cheryl, her parents, family members, trophies and vintage artwork. I was utterly obsessed with the space and was so excited that both the bride and groom (and the bride’s father) were so willing to let me capture portraits that were downright strange and thematic to something out of a Stanley Kubrick flick.
The personal touch of being in Cheryl’s parents vintage home didn’t go unnoticed, and it truly added to the depth and detail of the entire first part of the wedding day.
The backyard is home to a beautiful cherry tree, a monument within Cheryl’s family and their lives. The perfect place for a candid and emotional first look between the bride and groom.
The first part of the day was concluded with the bride and groom celebrating with their immediate family, toasting to the celebration ahead.
St. Catherine’s rowing club was the perfect venue to hold an intimate outdoor ceremony among trees, and the perfect vintage venue to hold all of the bride and groom’s friends and families for an incredible dining experience. With the help of a cartwheeling flower girl and a young ukulele musician and vocalist, the very excited and joyous bride made her way down the aisle, captivating the entire audience as her father escorted her to the groom.
As the night went on Gary and Cheryl decided to take in the beautiful pink sunset for some golden hour and blue hour portraits by the lake. The stunning scene and natural beauty of our surroundings made for the ultimate quiet moment for the bride and groom to cherish and enjoy together. To highlight the importance of the organic, locally sourced meal we were about to have, Cheryl made a small speech about the food we were about to eat and highlight the elevated level of work done by Treadwell, the restaurant who catered the event, which allowed everyone to have a deep understanding and appreciation for the complex and beautiful meal they were about to enjoy. The tomato water soup was unforgettable, the whitefish and beef short-rib were just as incredible. A complete dining experience that left people in awe and with their stomachs full.
While people took in the incredible meal both the bride and groom shared some beautiful speeches. The groom actually read an old letter he had written to the bride in the earlier stages of their relationship, providing a deep and heartfelt look into the intimate part of their relationship. The nostalgia wasn’t lost on anyone in the room, as nearly every single guest was forced to wipe tears from their eyes and the groom choked up reading back through his thick book of letters that kindly reminded him , and everyone in attendance, that their love for each other, and their love for their family, was present since the start.
The night progressed, wine was drank, Gary and Cheryl enjoyed a beautiful first dance both inside and outside the venue below the stars and string-light, friends and family mingled and laughed the night away. Dances were shared, moments were cherished, and I couldn’t help but smile when I caught the bride’s mother and father share in a deeply intimate moment as they shared the dance floor together. Love was definitely present that day, felt by all, highly contagious and unavoidable.
Food is love, and that night, nobody went home hungry.
Song of the day
Orange Sky - Alexi Murdoch